ER recap: “And in the End. . .”
by Freeman Montaque
Chances are, if you own a TV, a computer, an ipod, a newspaper subscription or
any type of access to the primetime television world, you knew that March 30, 2009, was the last
episode for the critically-acclaimed medical drama ER. After 15 years on the air, the show
was finally saying goodbye in a fitting 2-hour finale that promised to bring back a few original
favorites. And with all that hype and excitement and expectation, the most enthusiastic response I
can muster is a lukewarm. . .eh. Let me start by admitting that I have not been watching the show regularly for a
long time now. Like most, I felt the show’s better days were behind it. The originality in the
stories seemed to have waned a bit, and once Maura Tierney (Abby) left, I really lost a lot of
interest. But with all the hype around it, and the fact that I was supposed to be doing work for a
class, of course, I felt compelled to give in and see if the show got the proper sendoff it
deserved. I don’t know if it’s because I wanted original cast members to take
up the majority of the screen time, or because the first hour never pulled me in, but this did not
feel like the end of an era to me. It felt like end of the fifteenth season. Nothing more.
Sure, Dr. Carter was in the mix for basically the entire show, what with the
opening of his new exhibit and catching up with old pals Dr. Weaver, Dr. Lewis and, of course, Dr.
Benton. It was good to see some of the old gang back. Lewis (Sherry Stringfield), as Carter
acknowledged, looked great. Hot, I would go so far as to say. And it was pretty thrilling to see
Eriq La Salle back as Benton, too. He was, in my opinion, the best part of the show throughout its
entire run, and it was nice to see his character’s relationship with Carter end with the two
being close friends. But when the focus wasn’t on the original cast members, I found it harder
to care about what was happening. Newbie Julia Wise (Alexis Bledel) struggles to cope with the news
of a mother who’s just died. She, I guess we can assume, is the new Carter. Dr. Gates (John
Stamos, who may have finally shed his Step by Step image), goes after a parent for not
noticing his daughter’s near-fatal drinking habits. It’s not that these stories
aren’t interesting, or that the actors don’t deliver. They are, and they do. This is all
fine for a regular episode. But for a finale? I don’t know. For a show that’s been on
for over a decade and promised us the world, I wasn’t as blown away as I felt I should have
been. This is not to say that the show was a total disappointment. Fans partial to the
old ER will greatly appreciate that the show’s original James Newton Howard intro
theme is intact here (as well as during the final shot). Veteran actor Ernest Borngnine was
absolutely terrific as Paul Manning, a man struggling to let his wife go. I may not support the idea
of giving this season an Emmy nomination for Drama Series, but Borgnine should definitely be on the
official list for his guest spot. I do find it fitting that the show ends the same year that its creator, Michael
Crichton, passed away. There’s something undeniably appropriate about that. And while I was
moderately engaged in the episode as a whole, I loved the way it ended, with Carter looking at
Mark’s daughter and asking her, "Dr. Greene, you coming?" as the original intro once again
plays in the background. Now if only the rest of the episode had been that clever and
engrossing. Most other critics seemed to have liked the finale. I suppose my expectations for
shows are just too high. But after witnessing sendoffs as fantastic as those for Six Feet
Under, Oz and Arrested Development, can you blame me? Still, it’s a little sad to witness the end of a legendary series, one that
began when I wasn’t old enough to watch (at age 7) and ends in my senior year of college. It
may not have been the perfect medical drama the whole way through, but it’s hard to imagine
something else coming along and maintaining an audience for 15 years. Here’s to the cast and
crew of the show finding success elsewhere, even if it doesn’t involve the chaotic confines of
a Chicago hospital. Comments are closed |
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